
beIN’s Sony renewal preserves different MENA and Türkiye windows
The agreement is a practical example of why regional rights descriptions need territory-level detail.
Read the story : beIN’s Sony renewal preserves different MENA and Türkiye windowsLicensing, acquisitions, distribution windows and co-productions. The commercial terms behind entertainment’s next move.
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The agreement is a practical example of why regional rights descriptions need territory-level detail.
Read the story : beIN’s Sony renewal preserves different MENA and Türkiye windows
The October partnership combines a branded streaming space with Korean programming across MBC platforms.
Read the story : CJ ENM and MBC plan a TVING destination for MENA audiences
The MIPCOM agreements show how new programmes can sit alongside established catalogue relationships.
Read the story : BBC Studios’ Nordic pre-sales combine forthcoming titles and returning series
Owned or controlled titles and fee-only distribution need separate labels in a catalogue business.
Read the story : Lionsgate’s library presentation draws a useful ownership distinction
The Italian rights are set to follow an initial exclusive Prime Video window.
Read the story : Baywatch’s Rai 2 deal makes the second window part of the launch plan
The October announcement puts catalogue scale, territorial sales and digital monetisation in one structure.
Read the story : Banijay Rights sets out its combined distribution operation
The partnership describes a wider project relationship, from stories to merchandise.
Read the story : Netflix and MAPPA connect anime development with business beyond the screen
The January 2026 label launch gives commissioners and partners a distinct point of enquiry.
Read the story : ITV’s Bright Entertainment puts the format brand behind a new label
The Warner Bros. Discovery deal groups more than 60 hours for regional Discovery channels.
Read the story : ITV’s Latin America package shows the commercial role of a mixed unscripted slate
October’s awards provide a concrete example of support at distinct points in the cross-border screen business.
Read the story : UK Global Screen Fund awards connect co-production and international release
The BFI’s 2025 figures expose a distinction between market share and the distribution of results within it.
Read the story : UK independent box office puts the long tail in the sales discussion
The CNC’s 2025 export study separates completed-programme sales from money committed earlier in production.
Read the story : French TV exports: sales and pre-financing tell different storiesMore tags are available in the filters above.
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