Licensing, acquisitions, distribution windows and co-productions. The commercial terms behind entertainment’s next move.
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The 2026 selection brought projects and decision-makers together; meeting activity is distinct from financing secured.
Read the story : Venice’s gap-financing market makes the unresolved part of a project visible
Cannes’ 2026 programme brought live demonstrations into conversations with curators and programmers.
Read the story : The Immersive Market makes venue fit part of a distribution pitch
The 2026 space connects screenings with conversations between exhibitors, distributors and sales companies.
Read the story : Cannes’ Cinemas Club gives theatrical exhibition a dedicated meeting placeThe Trieste programme addressed investor relationships; participation was not an investment commitment.
Read the story : Unlocking Capital’s 2026 lab frames private finance as a producer capability
NZFC’s guidance separates provisional approval before photography from final certification after completion.
Read the story : New Zealand co-production planning needs a certification timetableThe tri-nation initiative plans Indigenous filmmaker labs in Canada, Aotearoa New Zealand and Australia from 2027.
Read the story : Shared Ground puts relationships before an international production packageThe November market’s accreditation and registration distinction matters before a meeting plan becomes a travel commitment.
Read the story : AFM 2026 planning starts with the right participation statusThe TIFFCOM collaboration brought Japanese rights holders and international companies into targeted meetings.
Read the story : Cannes’ Japan IP Market creates a defined adaptation conversationCinetel’s market report describes a changed national-origin mix, not the prospects of every imported film.
Read the story : Italy’s 2025 US-film result gives acquisition teams a portfolio question
The NFVF’s comparative report separates production capability from the systems that move work into markets.
Read the story : South Africa’s distribution study asks what happens after productionThe Miral agreement describes distinct development, creative and operating responsibilities.
Read the story : Disney’s Abu Dhabi plan separates the brand and the resort operatorContent supply, service distribution and advertising need different opening briefs.
Read the story : Pluto TV separates three partner conversations that publishers should distinguishMore tags are available in the filters above.
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