EVENTIM’s first-half results show different economics inside live entertainment
Ticketing and live-event operations need their own reporting basis and operating assumptions.
Category: Music Business
Sacem’s annual report puts data operations beside royalty scale
For publishers, rights-administration technology becomes useful through clear catalogue records and accountable enquiries.
US synchronization revenue rose 18.2% in the first half of 2026
RIAA’s wholesale result provides market context while production teams still need a defined music-use brief.
US physical music growth puts fulfilment in the release plan
RIAA’s first-half figures give labels a format signal; title-level demand and delivery still need their own evidence.
Australia’s music market grew, with different workloads behind each format
ARIA’s 2025 wholesale results put subscription scale and physical growth in the same market picture.
MENA’s streaming-led music market: define where your business participates
A regional revenue mix is useful context. The commercial proposal needs a specific service, customer and market investigation.
Latin America’s music-business growth needs a local operating plan
IFPI’s 2025 regional results support investigation. A catalogue business still needs a defined audience, partners and release test.
Mechanical licensing music reports: separate usage, statement and receipt dates
The MLC’s payment guidance illustrates why a publishing team needs a clear account of the reporting cycle.
Music publishing explained: connect the composition and recording records
A clearer work-to-recording reference helps entertainment teams prepare enquiries and understand what has been confirmed.
Music publishing services: prepare catalogue records for The MLC’s April 2027 process
The September 2026 announcement provides a planning date for reviewing unresolved catalogue questions through official processes.