Recorded music, publishing, platforms and live entertainment. Rights, distribution and revenue across the music industry.
34 matching stories · Page 2 of 3 · Newest first
The January partnership makes the post-acquisition operating plan part of the music-catalogue discussion.
Read the story : Sony and GIC pair catalogue capital with an operating platform
Canada’s royalty results call for a careful distinction between organisational revenue and member payments.
Read the story : SOCAN’s 2025 results show why collections and distributions need separate dashboardsThe collecting society’s 2025 results offer a concrete prompt for a catalogue administration review.
Read the story : PPL’s international growth puts neighbouring-rights operations in focusEntandem’s joint administration gives multi-site operators a starting point for a Canadian licensing enquiry.
Read the story : Canadian entertainment groups need a location-level music record
An Australian event brief needs a clear account of music use before procurement can be completed.
Read the story : Australia’s OneMusic model puts the event producer’s usage plan firstWhat an entertainment business should prepare before asking PPL PRS about its music use.
Read the story : UK venue music: the licensing brief starts with the roomThe 2026 music-related-services label shows why market comparisons need the company’s definitions.
Read the story : Tencent Music’s reporting category reflects a broader audio businessTicketing and live-event operations need their own reporting basis and operating assumptions.
Read the story : EVENTIM’s first-half results show different economics inside live entertainmentThe company’s results illustrate distinct responsibilities across ticketing, concert production and audience service.
Read the story : Live Nation’s ticketing revenue rose 15% in the second quarterFor publishers, rights-administration technology becomes useful through clear catalogue records and accountable enquiries.
Read the story : Sacem’s annual report puts data operations beside royalty scaleRIAA’s first-half figures give labels a format signal; title-level demand and delivery still need their own evidence.
Read the story : US physical music growth puts fulfilment in the release planRIAA’s wholesale result provides market context while production teams still need a defined music-use brief.
Read the story : US synchronization revenue rose 18.2% in the first half of 2026More tags are available in the filters above.
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