Movie production in Australia: record spending and a narrower local title pipeline
Screen Australia’s 2024/25 drama data show why suppliers should separate project count, value and timing.
Follow your curiosity.
Creator marketing reporting: give buyers an evidence trail
Define campaign questions, separate distribution activity and label the limits of measurement before assembling a results deck.
Video production process: put accessibility in the commissioning brief
Turn accessibility requirements into assigned deliverables, review stages and a tested playback experience.
Digital video workflow: connect every approval to the right asset
Stable references help production teams trace decisions across versions, departments and vendors.
Cloud video workflow: test one difficult handoff before expanding
A scenario-based pilot can reveal review delays, duplicated work and the operating costs hidden inside a technology demonstration.
Digital film distribution: make the version part of the delivery plan
IMF provides a structured basis for multi-territory versions. Producers still need recipient specifications, acceptance checks and accountable handoffs.
TV monetization research: read the denominator in Nielsen’s streaming share
Nielsen’s Q1 2026 release measures viewing, not advertising revenue. Preserving that distinction makes market evidence more useful.
Video ad monetization: what IAB’s US$80 billion forecast can tell publishers
The US digital-video forecast includes connected TV, online video and social video. A publisher still needs to define its own sellable inventory.
Film distribution in Brazil: a larger cinema estate still needs a local release plan
ANCINE’s 2025 yearbook provides a market baseline for international sellers. Screen growth alone does not establish demand for an individual title.
UK movie production spending: why the revised comparison changes the story
BFI’s June 2026 figures separate film growth from a weaker high-end TV comparison. Here is how producers and suppliers should read the…