UK independent box office puts the long tail in the sales discussion
The BFI’s 2025 figures expose a distinction between market share and the distribution of results within it.
Follow your curiosity.
French film export data comes with a reporting-date decision
Unifrance’s early 2025 estimates show why a sales presentation needs to preserve the source’s cut-off.
French TV exports: sales and pre-financing tell different stories
The CNC’s 2025 export study separates completed-programme sales from money committed earlier in production.
SOCAN’s 2025 results show why collections and distributions need separate dashboards
Canada’s royalty results call for a careful distinction between organisational revenue and member payments.
PPL’s international growth puts neighbouring-rights operations in focus
The collecting society’s 2025 results offer a concrete prompt for a catalogue administration review.
Canadian entertainment groups need a location-level music record
Entandem’s joint administration gives multi-site operators a starting point for a Canadian licensing enquiry.
Australia’s OneMusic model puts the event producer’s usage plan first
An Australian event brief needs a clear account of music use before procurement can be completed.
UK venue music: the licensing brief starts with the room
What an entertainment business should prepare before asking PPL PRS about its music use.
AI Slate ID turns metadata entry into a production-review task
Blackmagic’s automated slate-reading feature needs representative tests and a clear path for exceptions.
Resolve’s Photo page connects stills to the entertainment asset workflow
Blackmagic’s 2026 announcement puts photo and video coordination into the campaign brief.