Warner’s GSA creator role gives cultural partnerships a defined operating home
A new Berlin-based function links artist campaigns with creator relationships across Germany, Switzerland and Austria.
Follow your curiosity.
ADA’s Swiss partnership connects distribution with a visual release operation
Sound Distribution’s agreement puts digital delivery alongside the production work surrounding a music release.
My Chemical Romance’s publishing deal adds an administration layer to Warner’s relationship
The worldwide agreement concerns song administration; recording and merchandise relationships remain distinct commercial activities.
Cannes’ creator summit places digital audiences inside the film-business conversation
The new 2026 forum connects creator companies with traditional development, financing and distribution questions.
Annecy’s new summit gives animation’s business structure a policy forum
The 2026 initiative brings financing, competitiveness and circulation into one industry discussion.
Mifa’s 2026 shortlist separates pitch selection from a financing decision
Annecy’s project figures describe an industry showcase, not a guarantee of production.
AFM 2026 planning starts with the right participation status
The November market’s accreditation and registration distinction matters before a meeting plan becomes a travel commitment.
Cannes’ Japan IP Market creates a defined adaptation conversation
The TIFFCOM collaboration brought Japanese rights holders and international companies into targeted meetings.
Italy’s 2025 US-film result gives acquisition teams a portfolio question
Cinetel’s market report describes a changed national-origin mix, not the prospects of every imported film.
South Africa’s distribution study asks what happens after production
The NFVF’s comparative report separates production capability from the systems that move work into markets.